THE SPONGEBOB SQUAREPANTS MOVIE
Rated PG - Running Time: 1:30 - Released 11/19/04
I have to admit, its taken a while for SpongeBob SquarePants
to grow on me. When the cartoon TV series debuted on Nickelodeon
in 1999, my kids, like millions of others across the country,
became instant fans, watching every Saturday morning, repeating
ad nauseam the jokes and situations depicted, mimicking the behavior,
and memorizing the dialogue. As for myself, I was amused by the
title, but didnt think the show was particularly groundbreaking;
I felt it was just another noisy, silly cartoon with goofy voices
and silly plot lines. And of course it is. But theres something
grown-up about the humor in SpongeBob. Despite the bright
colors and silly antics, something about this show (whose creator,
Stephen Hillenberg, a former marine biology teacher at Californias
Orange County Oceanic Institute who also produced the similarly
sophisticated cartoon show Rockos Modern Life), is
giving us adults a wink and a nod.
Now the time has come, as is inevitable in the lives of popular
kids cartoons, for the members of the SpongeBob universe
to graduate to the big screen. The film version, directed by Sherm
Cohen and Hillenberg (with live action sequences by Mark Osborne),
is really nothing more than a 90-minute version of the TV show,
and the manic nature of it begins to wear out its welcome after
the shows normal running time has elapsed. But it does retain
that sense of intermittently adult-savvy comedy, and it also features
a few notable guest appearances, such as Arrested Developments
Jeffrey Tambor, Lost In Translations
Scarlett Johansson, Alec Baldwin, and David Hasselhoff in a somewhat
disturbing turn as himself.
Anyone familiar with SpongeBob SquarePants (voice of Tom Kenny)that
square, yellow, ocean-dwelling sponge with the impeccably tailored
cardboard pant/shirt/tie ensemble who lives in a pineapple-shaped
home in the sea floor community known as Bikini Bottomknows
that one of the things he cherishes most is his job at the Krusty
Krab, the aquatic diner owned by penny-pinching crustacean Mr.
Krabs (Clancy Brown), for whom SpongeBob holds the utmost love
and respect despite the fact that Krabs doesnt really treat
him that well. Working there as a fry cook, making the famous
Krabby Patties, with his conceited friend Squidward (Rodger Bumpass),
is what makes life worth living for him. This is why he is so
excited at the opening of Mr. Krabss second restaurant,
the imaginatively named Krusty Krab 2, which is located next door
to the original. SpongeBob expects, you see, to be made manager
of the new place, in return for all his years of hard work and
his numerous honors as Employee of the Month. But when he discovers
that he was overlooked for the position because hes just
a kid, he and his dim-witted starfish friend Patrick (Bill
Fagerbakke) go on an ice cream bender.
SpongeBobs chance to prove everyone wrong soon presents
itself, however, in the form of a national emergency. In a maneuver
referred to as Evil Plan Z, the crown of balding (and
sensitive about it) ocean monarch King Neptune (Tambor) is stolen
by Plankton (Doug Lawrence), a cunning and diminutive megalomaniac
and Mr. Krabss sworn enemy, to create a diversion so that
he may steal Krabss secret Krabby Patty formula and generate
some business for his own restaurant across the street, The Chum
Bucket. With some encouragement from Neptunes friendly daughter,
Princess Mindy (Johansson), SpongeBob and Patrick must set out
on a perilous journey to Shell City to retrieve it.
The first half hour of this movie is unequivocally hysterical,
giving us a live-action prologue, an introduction of all the characters
for those who are uninformed, and a fair dose of the absurd behavior
and repetitive but clever jokesmanship that has made SBSP
a success. Even the introduction of Neptune and Mindy, characters
who seem out of place in SpongeBob land, has its witty moments.
At some point, however, the novelty begins to wear offas
the inevitable feature-film conventions begin to force themselves
awkwardly on our aquatic friends lives, the humor begins
to seem forced; especially toward the end, when a seemingly unending
string of close-ups of David Hasselhoffs body hair makes
even the most metrosexual of us male audience members
shrink self-consciously into our seats.
Dont get me wrong, bible-thumpers: there is nothing inappropriate in this story; even the Hasselhoff part is all in good fun. There are some amusing songs, some hilarious action sequences, and lots of extremely silly behavior by all the characters. But theres only so much screaming, singing, hopping, shouting, and high-pitched voices, uttering repetitive phrases, that one can endure. Theres no doubt that for us above the age of 12, the appearance of the closing credits is not an unwelcome sight. ****