SEABISCUIT
Rated PG-13 - Running Time: 2:21 - Released 7/25/03
Seabiscuit is one of those real-life dramas that seems
to be tailor-made for the silver screen. The events depicted in
this film were so incredible, and happened at such a perfect time,
that it would be hard to believe if it were not true. Written
and directed by Gary Ross (adapted from the book by Laura Hillenbrand),
Seabiscuit recounts the story of a true long shota
racehorse so small and rough that he was disregarded by most experts
at the time, but whose uncanny drive, coupled with his jockeys
unorthodox style, helped lift the spirits of a nation in the midst
of a crippling depression, and led to one of the most widely followed
sporting events of all time.
The fact that Seabiscuit is narrated by distinguished
historian and Pulitzer Prize-winning author David McCullough (whose
voice became unmistakably familiar when he narrated Ken Burnss
famous 1990 PBS documentary The Civil War) lends the film
a sense of authenticity from the start, and the well-researched
period settings, production values, and performances of its cast
add to that effect. Inhabiting the leading roles are Jeff Bridges
as Charles Howard, the car salesman whose wife leaves him following
the death of their only son, Chris Cooper as Tom Smith, the eccentric
trainer whose style predates The
Horse Whisperer, and Tobey Maguire as Red Pollard, the
overweight, down-on-his-luck jockey whose losing reputation was
exacerbated by his tendency to pick fights.
Into the lives of these three men comes Seabiscuit, whose genealogical
descent from legendary racehorse Man O War (his grandfather)
does not at first seem to bless him with any extraordinary talent.
Dismissed as too small and without ambition, the horse is bought
by Howard, who had previously saidreferring to the advent
of automobilesthat he wouldnt pay $5 for the best
horse in the country. Howard soon meets Tom Smith, a loner who
sleeps outside and is ostracized by the other trainers, but has
developed a knack for dealing with untrainable horses
since he used to tame wild mustangs out West. When Tom looks Seabiscuit
in the eye, he sees something special: As McCullough narrates,
Smith would say later that the horse looked right through
him, as if to say, What the hell are you looking at?
He begins gently leading the horse to his inevitable fate by talking
softly to him, walking him around the track, and learning the
quirks and peculiarities of his personality. But when the two
men (and more importantly, the horse) meet Red Pollard, it becomes
clear that there is a chemistry which will make them a formidable
team.
What starts out as a tentative testing-of-the-water period
soon leads to win after win for Seabiscuit in his local area of
Santa Anita, California. As reported by horserace commentator
and well-liked radio personality Tick Tock McGlaughlin
(William H. Macy), Seabiscuit soon becomes a horse to be reckoned
with and a household name, especially since Pollards style
includes slowing down in the middle of the race and letting other
horses catch up, only to pour on the steam toward the end. This
unlikely system garners Seabiscuit not only national fame as Americas
favorite underdog, but an inevitable meeting with the current
champion, War Admiral. But just before the match race between
the countrys two most famous steeds is to take place, Red
suffers an accident (while riding another horse) in which his
leg is broken in several places. As the date of the race draws
near, he must arrange for a substitutehis friend and fellow
jockey George Woolf (played by real-life jockey Gary Stevens,
himself a multiple Triple-Crown race winner and, fittingly, the
1996 winner of the George Woolf Memorial Jockey Award). Although
War Admirals owner, Samuel Riddle (Eddie Jones) pooh-poohs
Seabiscuits chances against his champion, the national anticipation
rises to a fever pitch as the race date nears.
Although it is as predictable as any underdog sports movie (especially if the viewer knows how the actual 1938 race came out), Seabiscuit is endowed with a heart one doesnt always see in films about baseball or football, or even Italian prize fighters who slurringly scream for their girlfriends after the fight. Of course, the fact that it really happened is a major factor in this equation, but the combination of talented actors, the dusty, depressed period setting, the beautiful cinema of John Schwartzman, and (one mustnt forget) the performances of the 10 horses who share the title role, all come together to make this an especially enjoyable film for all who love horses, for all who love long shot stories, and for all who love good cinema in general. If youre tired of high-tech computer wizardry, ponderous epics set in faraway lands, or bullets whizzing around your head, you might do well to saddle up and give Seabiscuit a trial run. ****