THE IMPORTANCE OF BEING EARNEST
The plot, as with any of Wilde's, is far too complicated to
summarize in a few paragraphs, but suffice it to say the surreptitious
adoption of the name "Ernest" by two men in turn-of-the-century
London, neither of whom can legitimately claim it as his own,
serves as the central hub around which the entire story revolves.
The first "Ernest" is really Jack Worthing (Firth),
who uses the pseudonym while in the city, allowing him to run
up astronomical bills at food and lodging establishments without
being prosecuted since he goes by his real name when he returns
to his estate in the country. It is the name, however, that causes
the beautiful young Gwendolen Fairfax (Frances O'Connor) to fall
in love with him, stating that she's always wanted to marry a
man named Ernest, a name which embodies all the qualities of truth,
honesty, and fair play. However, Gwen's mother, Lady Bracknell
(Dench), is not so quickly enamored, especially when she finds
out "Ernest" doesn't even know the identity of his parents,
having been abandoned as an infant in Victoria Station. She decrees
that Gwendolyn will not have permission to marry him until he
can come up with some appropriate family lineage.
Meanwhile, Jack's London friend Algernon Moncrieff (Everett),
or "Algy," who also seems to make a living by giving
the slip to his creditors, discovers Jack's clever ruse and decides
to use it to his own advantage. Having fallen in love with Jack's
young charge, Cecily Cardew (Reese Witherspoon), he goes to Jack's
country estate masquerading as "Ernest," whom Jack's
family and staff have never met, but who carries a dubious reputation
as Jack's irresponsible younger brother. Cecily, who enjoys a
fanciful imagination, is happy to accept Algy's advances, admitting
that she herself has always wanted to marry an "Ernest."
The trouble occurs when all the above characters converge on the
country estate, and the matter of exactly who is who must be resolved
one way or another.
What can I say about such a delightful piece of cinema? This movie, with its impeccable cast, lush location scenery and well-researched set and costume design, will serve as an excellent companion piece to Parker's Husband, offering a quality virtually indistinguishable from that film. Everett, whose character is virtually identical to his part in that movie, is definitely in his element, and Firth is equally enjoyable as his stuffier counterpart. The ladies, moreover, are exquisite in their turn-of-the-century mannerisms, embodying, on the parts of O'Connor and Witherspoon, the carefree air of young debutantes, and, in the case of Dame Dench, the extreme propriety of any Wilde heroine of that age group and social standing. If you care for movies in which the written word takes precedence over fast cars and digital wizardry, do not miss The Importance Of Being Earnest. I can earnestly tell you you won't regret it. ****½
