BARBERSHOP 2: BACK IN BUSINESS
In addition to the roster of barbers and customers from the
first movie (Sean Patrick Thomas, Eve, Troy Garity, Michael Ealy,
Leonard Earl Howze, and comedian Cedric The Entertainer), this
film also introduces a few new characters, like Cal’s ex-girlfriend
Gina, the owner of a beauty parlor next door, played by Queen
Latifah. Although I don’t remember Gina ever being mentioned
in the first movie, I daresay her inclusion is not so much for
the purpose of enriching the Barbershop story as to pave
the way for Latifah’s spinoff movie, Beauty Shop,
for which they have already produced a trailer—despite the
fact (according to the Internet Movie Database) that the movie
has not even begun filming. Another new face is that of Kenan
Thompson as Cal’s young cousin who just finished barber school
and wants a job. Thompson, who has worked his way from Nickelodeon
comedies like All That and Kenan & Kel to becoming
a new regular on Saturday Night Live, is suddenly on his
way to a solid career, showing obvious talent in the numerous
characters he has already established on those series.
The main issues of Barbershop 2’s plot involve
the opening of a glitzy new hair cutting franchise across the
street from Cal’s—which not only sparks anxiety about
competition but brings a public political debate regarding the
fate of the neighborhood—and several flashback scenes establishing
the history of Eddie (Cedric The Entertainer), the crotchety old
barber whose controversial opinions made such a stink in the first
movie. Although Cedric continues his amusing act as the older
barber, seldom working but always voicing his unpopular stand
on just about every subject covered in the shop, he also doffs
the age makeup (and the comedy) for several flashback scenes dating
back to the days of the civil rights movement in the late ‘60s.
Using an interesting mix of color and black-and-white, and several
degrees of desaturation in between, director Sullivan shows the
most artistic flair in the sections where Eddie’s younger
days are played out, including his original employment at the
establishment under Cal’s father (Javon Jackson), his loyalty
to the shop during the riots following the King assassination,
and his 35-year search for a woman named Loretta (Garcelle Beauvais),
whom he met on the el, proposed to, and apparently never saw again.
There is also a romantic sub-plot involving two other barbers
(Eve, Ealy) whose bitter antagonism covers a smoldering mutual
attraction.
As with the first movie, the plot-heavy scenes pale in comparison to the arguments and back-and-forth bantering between the shop’s employees and customers. Unfortunately, there seems to be much less of that this time around, so the film turns out to be a more generic comedy than the previous outing. It’s not bad, it’s just routine, unlike Barbershop, which seemed to be establishing its own genre. This film represents a return to formula, but with the acting talents of Cube and his supporting players, and the comic stylings of Cedric, it succeeds adequately enough at the lower expectations it establishes. ***½
